Showing posts with label rick remender. Show all posts
Showing posts with label rick remender. Show all posts

Monday, February 21, 2011

The List #50 Part 2

Astonishing X-Men #5
Writer: Warren Ellis
Artist: Kaare Andrews
Finally we've arrived at the end of Ellis' run of Astonishing and I just have to say that it saddens me to see him go. I mean this issue alone delivers two of the best Emma moments I've seen in years (for more of my thoughts on them, [here] and [here]). Hopefully this week's coming Astonishing, featuring a new creative team, can continue the excellent characterization of Emma that I've come to expect from this series.

I've only a few notes besides uninhibited excitement at how prominen
tly featured and correctly characterized Emma is here, and they are: A. I enjoyed Beast's moment of badassery; B. I actually enjoy the ending with the fate of Jaspers being resolved, it was wonderfully tense; C. I know I've already talked about Emma, but I also need to pay special respect to the fact that she saved the motherf#%^ing day in this mini-series! Emma Frost resolved the problem. Emma. My girl, who saved that day with all the sadistic thrill I've come to expect from her. You have no idea how much this thrills me.
Conclusion: If you haven't already, go out and buy this entire mini-series. Also, do enjoy the magic of a well-written Emma Frost.

Fables #101 + #102
Writer: Bill Willingham
Artist: Eric Shanowner and Mark Buckingham
Beginning with Fables #101, let me just open with this statement: I don't like Bufkin. I get it, the fans love him, hence his getting the spotlight treatment lately, but honestly, I don't find him entertaining in the least. So you can imagine this issue was less than exciting for me.

However, while I'm not Bufkin fan, I do have to express my enjoyment of the Magic Mirror, and especially the explanation and questioning of his abilities this issue. And of course, I enjoyed the ridiculous faces he made throughout the issues and his explanation of his rhyming rule because this causes me to think of him as
a bitchy queen. And I love my bitchy queens.
So with the events of this issue being Bufkin climbing up the tree in the business office and ending up back in Oz to join a rebellion, I have to wonder how Miss Ozma, Princess of Oz (oh believe me, we'll get to her in a minute), will play into this sub-story. Anyway, that's the extent of my thoughts on that issue.

Onto #102, in regards to Miss Ozma, all I have to say is: Yes. Despite my missing of Frau Totenkinder, I have to say that her replacement is doing fantastica
lly as a fill-in for my need to have an amoral, strange female character to root for. What's fantastic about Ozma, in contrast to Frau, is her willingness to take control and basically forcefully run everyone around to her will. This issue she decided to use the superhero genre in planning a new way to confront the Dark Man, and she is in no way slacking on her responsibilities. And let's not forget how unapologetically nasty she can be, especially with Pinocchio when he called her "babe". She's definitely made an impression with me, and I'm excited to see more of her.

Another point that made an impression this issue was the reveal of Mr. Dark constantly being on the ou
tskirts of Haven trying to get in. Which is absolutely creepy, I certainly could never sleep soundly if I knew I knew that the man trying to kill me is always at my door. Also, that Flycatcher has to exert all his concentration of keeping him out and that Haven will have to be the place of the Fables' last stand with Mr. Dark.

Conclusion: While #101 was mediocre at best, #102 is a great issue thanks to the combination of Ozma's controlling nature and Mr. Dark's creepy stalking.

Uncanny X-Force #4 + #5
Writer: Rick Remender
Artist: Jerome Opena and Esad Ribic
To open, I just need to say that Uncanny X-Force #4 proved to me that my lingering doubts about Uncanny X-Force were completely unnecessary: This book is golden.

Like I can't even tell you how surprised I was by [this page]. Seriously, after my first time reading that, I had to look around in shock
for a second and was like, "Oh my Frost, did they really just do that?"

And the surprises didn't stop there; the next one b
eing the illusion the Horsemen get put under and what they do followed by the reveal of the fact that they're really stuck on an alien planet with hostile inhabitants. Also, bitchy points to EVA for her way of explaining said situation to the Horsemen.

Then was have the final showdown with all of X-Force turning on each other in opposition over what to do about Kid Apocalypse. This scene definitely worked for me as it felt real and absolutely human rather than what could've just been a decisive scene which would've cheaply 'gritty and heartless' and unsatisfying. Also, it wouldn't be me if I didn't mention that weird panel where Psylocke's body all of a sudden turns into that of a 40 yr. old man. Kinda strange.

Lastly for this issue had to be the end. I mean, if you've read the issue (which you need to), then you know exactly what I mean. It was powerful and surprisingly heartbreaking and I just had to set this one down and think after I finished it.

Moving onto issue #5, I have to say I was surprised that an issue centering around Fantomex, a character I've cared little for even under Morrison's hand, could keep me engaged and wanting more. I found the reveal about the fate of The World having been miniaturized for safe protection to be a great one and the re-introduction of Fantomex's mother to be a charming surprise. Especially since I thought she was an illusion in Morrison's New X-Men...right? Or was it just supposed to be ambigious whether or not she had been real?

Also, the surprise attack of techno clone robot things was definitely a heartbreaking one as Mumma Fantomex gets horrifically killed during said attack. Really Remender? Our hearts are going to be ripped out every issue?

Speaking of previous moments of heartrip, can anyone tell me if Deadpool's scene this issue with his expressing hav
ing problems over Kid Apocalypse's death was legit? I don't read Deadpool, so what I want to know is does he actually have moments where he's straightforward and honest? Or could this be him secretly mocking the situation?

Moving on, something I'd like to mock is Logan's look of surprise when it Archangel reveals that Deadpool's never cashed any of his checks. It's just a face that's worthy of laughter and playful mockery.

Oh and a side note, I can't express how much I'm loving EVA in this series despite her moments being few. And that goes double for Fantomex and her bitching back and forth this issue, seriously, it was pure gold.

Conclusion: This series is a must-read and if you haven't already, then you need to jump on board. Issue #4 surprised me in so many ways that I'm still processing it a bit and Issue #5...actually made me care about Fantomex. No joke. I actually gave a damn about a character who I haven't liked since the first time I read him during my introduction to comic books. So yeah, props to Remender for amazing writing.

Monday, December 20, 2010

The List #46 Part 2

Avengers Academy #7
Writer: Christos Gage
Artist: Tom Raney, not Mike McKone as it is credited.
As evidenced by the cover, this issue is completely devoted to Hank Pym and his eternal angst over actions he committed 20 years ago (Right? I'm only a light Avengers fan, but seems to me all his 'bad' shit happened nowhere near recently, right?).

We begin this month's helping on a scandalous note when Tygra and child decide to pay Pymie a visit. Little did I know, it seems Tygra's child is the product of her and a skrull impersonating Hank Pym. But these facts get even more scandalous as we find out thattt --->

Tygra, stunned and shocked, reacts by asserting to Pym that the child is hers and hers alone. But then she also has to explain that her original reason for showing up is to ask that, if anything should happen to her, Hank would take him in. Yeah, it's awkward.

It gets more awkward when Tygra brings up Hank's long lost wife, the Wasp, and Hank reveals that he's put Janet's molecules together in this infinite mansion and now he plans on bringing her back from this. I don't really understand all of it, I tried my hardest to ignore the Mighty Avengers when it was under Pym, so here's Jocasta with a mini explanation:
She looks so.......glamorous.
The rest of the issue is about Hank taking on the Absorbing Man, predictably beating him, and having a personal revelation about the dangers of bringing Janet back. Done. Fin. Except not so much. Were this just to be a done-in-one issue where we deal with Hank's angst for it's yearly pitying and then just move on, I'd be fine, but no, apparently this will be the focus of an arc coming out in March. Joy. I know Pym fans are probably excited for this, but truth be told I've barely dealt with him and I'm exhausted from this character. Which is exactly the opposite of what I came to this book for considering I wanted something new and fresh, which it is when the students are running the book. Anyway, that's my two cents on the future of AA.

Also, it should be mentioned that McKone was unfortunately not on pencils this time around; it was Tom Raney who's so not my favorite artist. In fact, I find his entire range of emotions on characters to read as ridiculous and difficult to take serious. This issue is no different though he for most part does a decent job.

Conclusion: This issue's not without its good parts, but in the end, it's a bit dull due to its starring character's arc being tired and worn out already.


Uncanny X-Force #3
Writer: Rick Remender
Artist: Jerome Opena
Finally this issue we get a comprehensive explanation of who's who in Apocalypse's army. And luckily it's in the preview, so you can all check up on it [here]. Oh and the old lady who's teaching child Apocalypse how to be himself again? Apparently that's Ship! That little detail caught me by surprise especially considering I thought that Ship was a pleasant little transportation vessel controlled by an evil master. Oh well, I much prefer this evil old lady take; she can be my new Frau Totenkinder.

Concerning the other Apocalypse followers, I'll say this: War's pretty badass as long as he's silent, Famine's perfectly creepy as hell, Pestilence as an awesome powerful and it looks great visually but I'm not a fan of her inferiority complex, and lastly, Death is the only one that really disappoints as he looks like a cheesy Vanisher ripoff and has an everyvillain personality.

Moving back to the events of the issue, all of this info is collected by Psylocke while all of X-Force is badly beaten and laying at the feet of the villains....yeah she's a badass and her lessons in badass are proudly displayed throughout the issue. Eventually Wolverine manages to get up and drags Death off of the team so that they can have the same fight Wolverine always has: A battle completely in favor of the enemy but somehow Wolverine manages to survive it out of sheer "badass". Meanwhile, Archangel's in shit shape after Famine got him and Deadpool is the only one around to take of him. Amusingly enough, Deadpool pulls out his only food supply: Pop rocks and Coke, and drowns Warren in it. From there its Nurse Deadpool taking care of Warren which is a survivor story on its own.

The main mover of the plot this issue is concerning Psylocke and Fantomex attempting to get their shit together as they are the only members really around and able. Psylocke takes charge, ordering Fantomex to let her in his mind. Here's how that goes over:

You go, Miss Braddock.
Fantomex listens to Betsy and she immediately begins psychically working on the effects of Famine's drum. Except she's stopped by War slamming her in the face. Ouch. Anyway, Fantomex being left as the only useful member begins illusioning everywhere, taking care of Death and Pestilence while saving Wolverine. He also manages to convince War that he loves Betsy, causing him to bring her into Apocalypse's HQ, and giving her the opening to take him out. While this is great and all, I have to say that Fantomex's little illusions took care of a bit too many of the group's problems and I'm hoping this isn't one of those "fix-all" things throughout the series. Anyway, as the Ship is teleporting out of the moon, kid Apocalypse whose busy with his toys receives a visitor: Betsy coming in with a katana. End issue.

Perfect ending. Obviously it's mostly for the fact that it's Psylocke who's just doing a lot of "take charge" things, but this is so much better than my worries about her just being the useless token female of the group. Also, I was pleased to hear [this news] from Remender on a recent X-Position concerning returning Betsy to her British roots.

Conclusion: Despite my few minor issues, another great issue of Uncanny X-Force with strong writing, fantastic art that I'm still very in awe of, and what seems to be a very bright future for this series.


In other news, here are the results of the last poll concerning which lovely mutant
should get repowered:

Unsurprisingly, it seems the biggest chunk of us want to see Jubilee repowered and presumably non-vampire again as it was sad for Marvel to piggyback on the decaying end of a pop culture trend, but to prolong it now is just purely pathetic. Plus I'm sure angsty vampire Jubilee is going to be the stuff of dreams for 2005's emo trend and its desperate hanger-ons, but it'll just likely annoy the hell out of everyone else. I'm thinking we all just want to see Jubes back to her sassy self because.....Baby. S
he's a firework.

In second place by one vote we have Rictor which also is not surprising as, while Rictor's definitely good for fulfilling fans' desperate need for some well-written homoness, I think we'd all like to see him back to being able to effectively handle himself in super situations.

Winder Dancer coming in third place, however, was surprising as I was not aware she had a much of a fan base, so, um, good on her fans and hopefully she'll pop back into the MU sometime. Anddd besides that, all I have to say is I'm surprised Callisto didn't get more votes and that's pretty much it. That's all for this week and be sure to go vote on the latest one!

Tuesday, November 30, 2010

The List #45 Part 2

Batwoman #0
Writer: J.H. Williams III and W. Haden Blackman
Artist: J.H. Williams III and Amy Reeder
Finally we have the return of Batwoman after months of salivating for the release of her solo book. Unfortunately, this is more of a taste before the official run, but as far as I'm concerned any Batwoman done by Williams or Rucka is a good one.

The issue focuses on Bruce Wayne
following Kate around, trying to confirm his suspicions that she is indeed Batwoman. He also dons a number of ridiculous disguises during the process which are worth a smirk. Eventually, he concludes she's good, but not amazing and that's basically the plot of the issue.

The stunning art of J.H. Williams III returns with this issue and oh dear me, it is to die for. Maybe I shouldn't say this out loud considering her devoted fanbase, but I feel like my interest in Batwoman loses some of its intensity without Williams on board. But I mean, just look at the image to the right--> It's gorgeous in ways that are rarely seen in comic books (so far as my current knowledge of comics is aware), so I mean it's hard to not be disappointed by anyone else. Which, speaking of, I was with Amy Reeder the artist for the Kate sequences. It's not that her art was anything negative, I would probably have liked it just fine on its own, but it's simply that
in comparison to Williams her art just does not do anything for me. I just think using another artist similar to Williams' style would have worked out better.

Conclusion: This is an issue where not much happened, so in terms of plot I would advise against waiting until Batwoman #1 out some time in 2011. However, if you're a devoted Batwoman or Williams fan, do pick this one up.


New Mutants #19
Writer: Zeb Wells
Artist: Leonard Kirk
Things are dark this issue. Like pitch black. It certainly shocked me to see New Mutants, a book that's sort of X-Force-lite, all of a sudden start having some uncomfortable torture scenes. Let's break this shit down, shall we?

For some reason, Dani is singled out as the zesty powerless mutant, and is tortured throughout the issue while Cannonball is made to listen so that his jailer can feed off his anguish. Somehow, being made of pure hardcore, Dani manages to get it together enough to tell Sam to stop feeding the anguish woman, and even tries to distract him by telling him that he's an excellent kisser. All this while she's still being tortured. The woman's a tough bitch, and I salute her.

Pixie's also tortured, but that's really just giving the reader of Uncanny what they've been asking for. Illyana is placed with Sunspot, whose got a mini evil mutant running around in his body, after she's done being tortured, and they have a fairly depressing conversation:

Illyana also lets Sunspot know that Amara does not love him like he does her. So yeah, this is pretty intense considering I wouldn't put it past Wells to actually kill Amara off. I mean, she may be one of, if not THE, most powerful member of the team, but character-wise she's just functions as pretty wallpaper for the most part.

Meanwhile Cypher's still under the control of the mutant who manipulates with words, and Dani and him discuss this -->

Oh yes, Cypher, you are a mighty cliche at this point just not in the way you're thinking, you sad attempt at a dark and emotionless badass.

Concerning Karma, she's pretending to be unconscious most of the issue and attempting to connect to the isolated Inferno mutant whose head is a big laser. Not only is it sad because she's connecting with someone who's painfully isolated and finally getting to express his angst over this, but Karma's also tortured while this is happening as the other mutants try to take her robot leg by cutting above the metal. Into the flesh. Fun. The beam-headed eventually helps her and Illyana tells her she needs to escape alone. In the end, Magik reveals that Karma is the only one important to save for her mission.

Conclusion: This issue's pretty amazing for its tension as it kept me hooked the entire way through. While I still have a dislike for this arc, I do have to say this was a great issue.

Uncanny X-Force #2
Writer: Rick Remender
Artist: Jerome Opena
This issue opens with a Danger room session that involves Wolverine, Fantomex, Deadpool, and Psylocke dealing with the possible scenario of Archangel turning against them that ends in Betsy taking out Warren. Obviously, when Warren walks in on this he finds this all a bit surprising and shaky for his relationship. And that's not all that's threatening his and Betsy's relationship--->

But what about your dearly beloved Cyclops, Logan? Anyway, this issue gives spotlight to Betsy as we the readers are privvy to her thoughts. Her place on the team and her reasons for joining are examined while she attempts to comfort Warren over the training sessionand are disappointingly what I expected: She's there for Warren. So thrilling that she has her own story. Luckily she's at least still the badass Betsy we all know and love:

Meanwhile with the Apocalypse situation, it seems that the old lady is solely there for young Apocalypse's education and not actually a member of the Horsemen as we end up meeting a number of Apocalypse worshippers this issue that better qualify for the position. Where do we meet them? The moon!

Yes, X-Force goes to the blue part of the moon where Apocalypse is located only to be ambushed by War who damages EVA by blowing a hole in her with his axe. Naturally, this is terrible and is worsened three times as Fantomex feels the pain due to his connection to EVA and Psylocke, being a telepath, also suffers the blow.

In a fight scene that's as bleak as this month's New Mutants, X-Force gets its ass kicked by Apocalypse's followers which include the previously seen War giant, the drummer guy whose likely Famine, a geisha who vomits cockroachers, and Vanisher's ugly brother who rides a flying carpet. Post-defeat, young Apocalypse emerges from his headquarters to go out to take care of X-Force.

Conclusion: Great issue, amazing art job by Jerome Opena yet again, and amazingly well-done fight scene. Definitely pick this one up.

Wednesday, October 6, 2010

The List #41

Avengers Academy #5
Writer: Christos Gage
Artist: Jorge Molina
Striker receives the spotlight this issue and let me just say he is so much more interesting than that f#@%ing Mettle. Also, it's important to note that the artist for this issue was fucking hilarious and just added that much more to the joy, laughter, and fun of this issue.

Basically, Striker's the arrogant famewhore of the team, and this issue
we learn where this all stems from....as he tells it to Jocasta. Who's in sleep mode. But could wake up at any time and listen in on all his secrets that he's spilling to her. Yeah, that's important later...

Striker's past rotates around his mother, who's had her 15 minutes of fame after being the other woman in a political sex scandal, who attempts to take the defibrillators to what she's already lost by making her son a child actor. This leads her to choosing a creeper agent who manages to get Striker and his mother parts. And also tries to molest Striker which triggers his powers....yeah, what a disturbing way to discover superpowers. From there he eventually finds himself with Osborn and then the A.A.

Back in the details of his past week, Striker recounts how he hit on Finesse and Veil. <---And here's the face he uses to seduce the girls. Surprisingly, they managed to turn down that sexy expression. Also, he, like many men, fails to realize his own over-inflated ego is functioning as a complete cockblock. Later on during that week Hank Pym takes the whole group out to see Wicked for a thinly veiled lesson about good deeds done by evil people and all that crap. He manages to get everyone in by shrinking both Mettle and Hazmat so that they don't cause a stir and also neglects to tell the other students they were there as well until after the show. All of the students react with surprise, but Veil's definitely wins the prize for most obnoxious/hilarious reaction. Seriously, this is my favorite face of the issue-->

After this, Whirlwind shows up to battle Pym which leads to the students joining the fight, and finally leads to the public outing of the Avengers Academy to the media. The outing goes over better than expected, and Veil goes to tell Justice, her teacher crush, all about it and ends up walking in on this:
This moment was so uncomfortable for so many reasons. One of them being that this looks more like Justice is drinking from a coconut with a wig on it than making out with a girl.
And here's Veil's reaction:

Crying over her crooked eyes.
Later on, "over" her crush on Justice, she goes to Striker's room, kisses him, and asks if he wants to hook up. He says sure and then that leads to this face--->

No, I'm kidding, that's just the look on his face that he gets from calling his mom.....no legit, pick up the issue, it's true. Anyway, Striker turns into a sudden
gentleman and follows his sure with a claim that he's too tired and insists on just talking. Which is great because I'd rather not have my adorkable Veil tarnished by Striker and his insecure ego.

Following this he goes to call his mom. It turns out that the outing of the A.A. was all a plan devised by him and his mother, and the evidence of his evil plotting is revealed by the shadow mustache he gets while discussing this. Seriously, facial hair=how you know if someone's evil or not. Oh and also, keep in mind all this goes before Jocasta's seemingly vacant eyes. So yeah, Striker's finally got his famewhore wishes fulfilled by manipulation and luckily it makes for a good issue. I still think he's a carbon copy of New X-Men's Hellion though.


Uncanny X-Force #1
Writer: Rick Remender
Artist: Jerome Opena
So Uncanny X-Force has finally released and it's quite possibly the most 'badass' book with the most 'badass' team in the entire Marvel universe. And that's exactly why I feel ambivalently towards it.

Deadpool's the same as always in this book: Chattering away like a coke addict, grasping desperately for a joke that's actually funny. And then there's Fantomex who's playing the whole, "I'm quirky, lucid insane!" angle and
also grasping desperately for jokes that are actually funny. And these two are a badass pair and Wolverine makes it EXTRA badass and the really dark Archangel makes this unbelievably DARKLY BADASS. I'd make a joke on this Testosterfest except Deadpool and Fantomex have basically fished that lake dry with their constant attempts at humor.

Concerning the only team member I really give a damn about, Psylocke, she's so far confirmed my fears about her role. Basically my concern was that with her being the token female of the group that her story would mostly be about serving the other men's stories as well as being the token female being fought over. Which really just, y'know, empowers her. So far I'm right on both counts, Fantomex has already expressed interest in her even though she's back with Warren. And concerning her resurrected relationship, it seems that she's using her psychic powers to help Warren deal with his Death persona. I mean, yes, as he was previously consistently on a team book he's already got a storyline that's in progress while Betsy's is sort of muddled with great writers taking stabs at it but never really keeping her long enough to really get something going with her. Still, I hope this sort of thing is simply for the opening issues and doesn't continue on from there.

Moving on, the art of this book is absolutely amazing and big draw for the book. I imagine those of you who've seen the preview know this already and I will just continue to say it's consistently amazing throughout the issue.

Anyway, I'm not going to run through the play-by-play of the issue because it's a lengthy first issue, but basically it has to do with X-Force trying to thwart the resurrection of Apocalypse and battling his horsemen and not really getting him and all that and oh yeah, now he's a kid. Yeah, strange. Also, his Horsemen look so much better this time around:

Conclusion: The art and events of this book so far are top-notch and worthy of the hype while the male team members leave something to be desired (but keep in mind I always think of them that way). And Betsy's role right now is iffy. But anyway, in the end I say pick up this book because it's looking to be joining X-Men Legacy in being one of the better X-Books.